Laserium had a board the MPMX or Multiplexer Multiplier card:
MPMX.png
Two by two pairs of DP4T analog switches feeding two by two pairs of analog multipliers to select the various inputs to each of the two image busses in the hybrid card cage. The analog multipliers allowed for X & Y master individual gains. The gains for the A&B bus X axis were tied together, as were the Y Axes.
At the Output end the MULT or Multiplier card:
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the four pairs of analog multipliers controlled gain for the red, yel, grn, blu scan pairs. Note: even though they have separate x & y gain inputs - the inputs for each color were tied together. You couldn't adjust x & y gain independently here. In the beginning Laserium was really good at NOT exposing every variation on an effect you could get another way.
Both the Master X & Y gain, and the individual RYGB gains were controlled via the 351 data track. The laserist had master gains and individual gains both up and down stream. They were used very little, but to occasionally great effect. There was a design approach to Laserium's hardware and choreography that allowed the laserist to have a huge contribution to the performance. For good or bad depending on the laserist...
"There are painters who transform the sun into a yellow spot, but there are others who, with the help of their art and their intelligence, transform a yellow spot into the sun." Pablo Picasso