OLD SKOOL SIMPLE 1980s CRAZY OLD DUDE ANALOG WAY (FOR MIDI) (Steve Ducks as Heroic throws a brick at him for suggesting this)
the Panglin to winamp plugin FFT already does the binning vs note. Now how to do the color. It should not be hard to translate MIDI to DMX and do this with a FB3.
MIDI to CV converter ---> CV to DMX using a Northlight systems board ----> DMX to Pangolin FB3. All off the shelf and inexpensive, there has to be a way. CV to DM would give you about 250 possible beams or level per color channel. If you had a midi out for each note in the chord, and 4 channels of MIDI to CV you could feed the 4 channels of a Northlight board and get R,G,B and position. could FB3 decode a 4 word DMX or can it just handle 255 cues? or would you need a full blown pangolin>????
The FB3 could easily take care of the color part.
http://www.musicfromouterspace.com/a...th/midi2cv.htm
Or Add three or more color eproms to the above circuit and its done, I'd repeat 24 colors across the 256 possible notes (note raw midi has 00 as silance?) 256/24= 8 banks, = simplify the octaves?? I'm dangerously getting close to part of music ed I've forgotten.
Pianoman, see if your school has "Art of Electronics" by Horrowitz and Hill in its library.
http://www.paia.com/midi2cv.asp
and there are lots of other MIDI to CV systems out there.
You can have some latency in the color change as the sound takes a while to propogate to the audience. So waiting for four 32 kbaud serial signals to be decoded for notes in a chord would not be bad. Besides modern editing software is gonna let you route stuff out a another midi channel anyhow, the die hard analog synth guys are absolute technology freaks and have ways around this in both software and hardware.
I'm supprised Shobley has not done this for the laser harp.
Steve



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