a small correction...
LSX has an equation editor option for just about every single event and this allows for complex and mind bending effects (cmb used the equation editors to write a simple game a few weeks ago). however, it is not necessary to use the equation editors or have big math skills to make shows. it is just one of the many tools LSX has under the hood.
LSX is more complicated to use than QS. it's also more powerful.
here's a new abstract i made over the weekend. no equations. it's just a lissajous abstract i created and cloned a number of times.

Originally Posted by
White-Light
LSX is pretty much the best for abstracts which is what Swami specialises in. It does however require some maths and equation skills to get the results that Swami does as that side is maths based, so the learning curve is very steep. I don't use it but understand it offers live play and a time line as well.
Pangolin software is pretty much the industry standard software for professionals as its very powerful in both live play and pre-programmed show areas, Beyond is probably by far the most powerful package on the market, whilst retaining ease of use.
QS is a high end hobbyist / semi-pro / Disco / Small club level software although many pro's use it for shows. Its simple and easy to use but not as powerful in some aspects as LSX at this price point. Its main forte is ease of use and live play capabilities with some features that are unrivalled such as Virtual Live Jockey (VLJ) an automated playback system and Pangolin's Zoning / Beam Attenuation Mapping systems. So its a case of ultimate power vs ease of use at this price point.
Pangolin Beyond however combines ease of use with ultimate power, its probably by far the most powerful software on the market and can be bought with either the Fb3 or QM boards. However, although it isn't cheap, there is an upgrade path from QS to Beyond though where you simply pay the difference in price.
At the end which package you choose is horses for courses and what your wallet can stand!
suppose you're thinkin' about a plate o' shrimp. Suddenly someone'll say, like, plate, or shrimp, or plate o' shrimp out of the blue, no explanation. No point in lookin' for one, either. It's all part of a cosmic unconciousness.